Skip to main content

The Roof is on Fire

1. CONTEXT: What were the circumstances that framed the meaning and process of this project?
The group of teenagers who treated and viewed by society differently based on their skin color.

2. CONTENT: What was the issue, need, idea or opportunity addressed by this project?
The issue is that the media are affecting how the world thinks and view of people of color differently, for example, stereotype, discrimination, etc. 
They need the world to hear their voice and be treated and viewed the same as the majority. 

3: FORM: What is the medium that was used to address or embody the content?
The teenagers are live performing in the car on the rooftop. They are talking freely about the race and media issue. The audience watches their conversations by the car and walks through car by car. 

4. STAKEHOLDERS: Which are the groups or individuals that invested in the process and outcomes of the project?
The high school teachers, and artists.

5. AUDIENCE: For whom was this project conceived? 
I think the project is convincing all the majorities and minorities to not be affected how they think by the media. We are seeing different media every day, but we should view things objectively and believe in ourselves. 

6. ENGAGEMENT STRATEGIES: How were the stakeholders, audiences, and others engaged/connected to the project?
The audiences are listening and thinking about what the teenagers were talking about. They make a connection by giving feedback and be aware of the media they see every day.


7. GOAL: What are this project's objectives?
To let the teenagers talk freely, and let the world hear the minorities voice.

8. VALUES: What were the project's guiding values or core beliefs? How were they expressed in the process?
If the minority growing up in a world with stereotypes and discrimination, they would believe that's how they should behave and become. They should beware of the media and believe in themselves. Everyone is different, they should not live with labels or bubbles. 
This core belief was expressed through the teenagers talking in the performance. 

9. RESOURCES: What tangible and intangible resources were used to pursue the project's goals?
audiences
performance permit.
Space
students
Teachers

10: OUTCOMES: What were the results of this project? 

Their performance made people think and be more aware of the media. It also gave the minority more confidence and believes in themselves. 

Comments

Popular posts from this blog

Rachel Tibbetts - What a Riot

Schutzman starts off this reflection with an excerpt from the play she created. The opening lines serve to give recognition and context to the subject matter by immediately dedicating the show to Rosa Parks. This is an extremely effective strategy to introduce the tone and subject matter of the piece. The addition of Claudette at the end was the “icing on the cake” to the introductory excerpt. Raising questions and therefore instantly opening up a dialogue. Schutzman approached the students by asking questions while also letting them choose the person/people they wanted to learn about and also depict in the play. I think entering a school with something to teach is the idealistic approach to interacting with students; when students are in class they are expecting to be taught and ask questions. This is the exact approach Shutzman used. This allowed her to familiarize herself with the student community and find their interests, question...

Katharine Means What a Riot! Response

In 2005 Mady Shutzman was invited by CalArts CAP to write a play for the teenage participants Plaza de la Raza arts center in East Los Angeles to perform. At first I was intrigued by this, as my limited knowledge of Boal and Theatre of the Oppressed techniques has been around the participatory games, activities, and techniques used to build community. I know some about Forum and Legislative Theatre, but had little conception of what a TO play would look like. Shutzman's piece, UPSET! , was modeled using Boal's Joker System. There is a character called the Joker who probes the characters and audience during the play with the "ultimate goal to raise questions, offer multiple points of view, and encourage dialogue". Shutzman used this form as a "means to incorporate the teens curiosity, dismay, outrage, confusion, fear, and inspiration in relation to the subject matter of the play within the play." The teens decided upon Rodney King and Claudette Colvin (a youn...