Skip to main content
1. CONTEXT: What were the circumstances that framed the meaning and process of this project?
- The pointing out of the media's negative portrayal of "Teenagers".

2. CONTENT: What was the issue, need, idea or opportunity addressed by this project?
- The issues that effects the teenagers who are participating on this project: sex, violence, values, family, school and the future.

3: FORM: What is the medium that was used to address or embody the content?
- Interactive theater piece

4. STAKEHOLDERS: Which are the groups or individuals that invested in the process and 
outcomes of project?
- The teenagers like Leukessia Spencer, who felt the needs of their voice to be heard, to make a statement.

5. AUDIENCE: For whom was this project conceived? 
- The adults who came to see the event to not interact but "listen" to the young teenagers

6. ENGAGEMENT STRATEGIES: How were the stakeholders, audiences, and others engaged/connected to the project?
- The stakeholders, the performers were given a freedom of speech, the protection for being lectured and looked down upon. They were able to say their ideas without the fear of judgement. The adults were able to truly listen to the young voices; not filtered through media, but from the teenagers themselves.

7. GOAL: What are this project's objectives?
- The up-bringing of teenage voice. The launch of a new program "Media Literacy" to point out the buried social flaw that is forming "Problem" that the teenagers are facing.

8. VALUES: What were the project's guiding values or core beliefs? How were they expressed in the process?
- They parked cars on a rooftop and let them discus topics about their daily life and the exposure they are open to that forms their supposed future, which eventually will educate the audience.

9. RESOURCES: What tangible and intangible resources were used to pursue the project's goals?
- Cars, Roof of a parking lot, teenagers, topics to talk about

10: OUTCOMES: What were the results of this project? 
- The audience's experience of bending over and listening to the teenagers.
- The coverage by the mainstream media, the very media they were criticizing; the response that told the production team that they were heard.

Comments

Popular posts from this blog

Rachel Tibbetts - What a Riot

Schutzman starts off this reflection with an excerpt from the play she created. The opening lines serve to give recognition and context to the subject matter by immediately dedicating the show to Rosa Parks. This is an extremely effective strategy to introduce the tone and subject matter of the piece. The addition of Claudette at the end was the “icing on the cake” to the introductory excerpt. Raising questions and therefore instantly opening up a dialogue. Schutzman approached the students by asking questions while also letting them choose the person/people they wanted to learn about and also depict in the play. I think entering a school with something to teach is the idealistic approach to interacting with students; when students are in class they are expecting to be taught and ask questions. This is the exact approach Shutzman used. This allowed her to familiarize herself with the student community and find their interests, question...

Katharine Means What a Riot! Response

In 2005 Mady Shutzman was invited by CalArts CAP to write a play for the teenage participants Plaza de la Raza arts center in East Los Angeles to perform. At first I was intrigued by this, as my limited knowledge of Boal and Theatre of the Oppressed techniques has been around the participatory games, activities, and techniques used to build community. I know some about Forum and Legislative Theatre, but had little conception of what a TO play would look like. Shutzman's piece, UPSET! , was modeled using Boal's Joker System. There is a character called the Joker who probes the characters and audience during the play with the "ultimate goal to raise questions, offer multiple points of view, and encourage dialogue". Shutzman used this form as a "means to incorporate the teens curiosity, dismay, outrage, confusion, fear, and inspiration in relation to the subject matter of the play within the play." The teens decided upon Rodney King and Claudette Colvin (a youn...